October 23, 2014
Peter Howell reflects on the first time he saw 2001: A Space Odyssey. “We were all suitably awed by the Glendale’s huge curved screen, which is still the most impressive one I’ve ever seen.”
October 16, 2014
As much fun as their gene-splicing, cliché-mashing and shameless pilfering can be, genre filmmakers may have become worryingly risk-averse. With Toronto After Dark 2014 creeping its way into town, Jason Anderson looks at Wyrmwood and Kumiko, the Treasure Hunter as examples of a mongrelized tradition defined by cross-pollination
October 9, 2014
“Some pop songs feel like short films.” Adam Nayman explores musicians who have also turned to filmmaking.
October 2, 2014
Jason Anderson dissects the wreckage that results when two people who’ve pledged to love and care for one another instead come to feel very differently about the person on the other side of the bed.
September 25, 2014
Angelo Muredda writes about Xavier Dolan’s “Mommy” and how it reflects against recent Canadian Oscar contenders.
September 19, 2014
Thom Ernst recounts the experience of being a member of the FIPRESCI jury at the Toronto International Film Festival.
September 10, 2014
José Teodoro chats with filmmaker Matías Piñeiro.
September 9, 2014
Adam Nayman discusses the current state of TIFF’s Cinematheque program.
September 8, 2014
Thom Ernst details the initial experience as a member of the TIFF FIPRESCI jury.
September 6, 2014
Of all the programs at the Toronto International Film Festival, Masters is at once the most rarified and the most difficult to define, Adam Nayman writes.