The TFCA Celebrates the Best Films of 2023

 

On March 4, 2024, at the Omni King Edward Hotel, the TFCA held its annual gathering, hosted by Amanda Brugel, to celebrate the best in Canadian and international film.

Watch Highlights from the Event!

“The montage,” cut by Brian D. Johnson, is an annual highlight of the TFCA Awards gala.

Watch the compilation celebrating the winners and nominees for this year’s awards below.

All images by George Pimentel Photography

TFCA Awards Class of 2023
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ROGERS
BEST CANADIAN FILM

This award carries a cash prize of $50,000, courtesy of Rogers Communications.
Runners-up receive $5,000.

Winner

BlackBerry

Directed by Matt Johnson
(Elevation Pictures)

I promise to shut up about Matt Johnson’s new Canadian classic — once everyone else in the country has seen it, too. So, one more time: BlackBerry is an intensely entertaining tale of corporate hubris that confirms Johnson as this country’s most talented mischief-maker. Shot with a contagious live-wire energy and stacked with excellent performances, the nervy comedy is a singular (but not Cingular) thing to behold. It’s as energizing a viewing experience as the rise enjoyed/ endured by those favourite sons of Waterloo, Mike Lazaridis (Jay Baruchel, tender and tragic) and Jim Balsillie (Glenn Howerton, all fiery rage). Can you hear us now, Apple?

— Barry Hertz

Nominee

Humanist Vampire Seeking Consenting Suicidal Person

Directed by Ariane Louise-Seize
(Game Theory Films)

If you’re going to play with the vampire canon, never mind use the word “suicidal” in the title, you’d better get it right. Quebec co-writer/ director Ariane Louis-Seize’s Humanist Vampire Seeking Suicidal Consenting Person certainly does. A loving vampire family in Quebec is trying to graduate teen daughter Sasha (the wonderful Sara Montpetit) from blood packs to hunting her own dinner. This appalls her. Until she meets the morose Paul (Félix-Antoine Bénard) who really, really wants her to drink his blood. Louis-Seize’s film is fresh and original: a sweet, funny, gothy movie with depth and heart.

— Karen Gordon

Nominee

Solo

Directed by Sophie Dupuis
(Axia Films)

Anchored by a transformative performance from Théodore Pellerin, Sophie Dupuis’ devastating Solo shows us how people will go to psychologically damaging places to feel loved, admired, and wanted. A character study painted in fine detail, Solo is packed to bursting with yearning and desire. It’s a cautionary tale about the nature of co-dependency, but also a richer story about how generational traumas shape who we are, for better and for worse.

— Andrew Parker

ROGERS
BEST CANADIAN DOCUMENTARY

This award carries a cash prize of $50,000, courtesy of Rogers Communications.
Runners-up receive $5,000.

Winner

Swan Song

Directed by Chelsea McMullan
(Blue Ice Docs)

In Swan Song, Chelsea McMullan and their crew go behind the scenes of the creation of the National Ballet of Canada’s 2022 production of Swan Lake, and deliver a gripping account fuelled by passion and conflict. The stakes are high: Karen Kain, in her directing debut with the ballet that first made her famous, fights for her feminist ideas; principal ballerina Jurgita Dronina is masking injuries. But members of the corps — especially bad-ass Shaelynn Estrada — are the true stars here, as they sweat through the demanding choreography, never sure they’ll make it to opening night. Heart-poundingly tense — and beautiful.

— Susan G. Cole

Nominee

Rojek

Directed by Zaynê Akyol
(Maison 4:3)

Zaynê Akyol fearlessly digs into the roots of fundamentalism in this feat of access, artistry, and journalistic rigour. Akyol sits down with imprisoned members of the Islamic State for probing discussions about why they fight. In between these strikingly-shot portraits, Akyol looks outside the prison walls to observe resilience of survivors in the aftermath of war. At a time when nuance too often proves an afterthought, Rojek shows how much we can further the conversation if we’re simply willing to listen.

— Pat Mullen

Nominee

Someone Lives Here

Directed by Zack Russell
(Game Theory Films)

Highlighting the homeless epidemic in Toronto and one man’s fight to find a solution, Zack Russell’s documentary Someone Lives Here grants Khaleel Seivwright the space to share his story, and takes to task the infuriating policies and bureaucracy behind the City of Toronto, while never forgetting the people at the heart of the matter. A frustrating story told with frankness and compassion, Someone Lives Here focuses on a light amidst one of the city’s darkest realities.

— Rachel Ho

BEST PICTURE

WINNER

The Zone of Interest
(Elevation Pictures)

RUNNERS UP

All of Us Strangers
(Searchlight Pictures)

Killers of the Flower Moon
(Apple Original Films)

BEST DIRECTOR

WINNER

Jonathan Glazer
The Zone of Interest
(Elevation Pictures)

RUNNERS UP

Martin Scorsese
Killers of the Flower Moon
(Apple Original Films)

Justine Triet
Anatomy of a Fall
(Elevation Pitcures)

OUTSTANDING LEAD PERFORMANCE

WINNER

Lily Gladstone
Killers of the Flower Moon
(Apple Original Films)

RUNNERS UP

Paul Giamatti
The Holdovers
(Universal Pictures Canada)

Andrew Scott
All of Us Strangers
(Searchlight Pictures)

OUTSTANDING LEAD PERFORMANCE

WINNER

Sandra Hüller
Anatomy of a Fall
(Elevation Pictures)

RUNNERS UP

Emma Stone
Poor Things
(Searchlight Pictures)

Kôji Yakusho
Perfect Days
(Elevation Pictures)

OUTSTANDING SUPPORTING PERFORMANCE

WINNER

Ryan Gosling
Barbie
(Warner Bros. Canada)

RUNNERS UP

Robert De Niro
Killers of the Flower Moon
(Apple Original Films)

Robert Downey Jr.
Oppenheimer
(Universal Pictures Canada)

OUTSTANDING SUPPORTING PERFORMANCE

WINNER

Da’Vine Joy Randolph
The Holdovers
(Universal Pictures Canada)

RUNNERS UP

Glenn Howerton
BlackBerry
(Elevation Pictures)

Charles Melton
May December
(Netflix)

OUTSTANDING PERFORMANCE
IN A CANADIAN FILM

WINNER

Glenn Howerton
BlackBerry
(Elevation Pictures)

RUNNERS UP

Jay Baruchel
BlackBerry
(Elevation Pictures)

Théodore Pellerin
Solo
(Axia Films)

BREAKTHROUGH
PERFORMANCE

WINNER

Teyana Taylor
A Thousand and One
(Universal Pictures Canada)

RUNNERS UP

Charles Melton
May December
(Netflix)

Dominic Sessa
The Holdovers
(Universal Pictures Canada)

BEST ORIGINAL SCREENPLAY

WINNER

Barbie
Greta Gerwig, Noah Baumbach
(Warner Bros. Canada)

RUNNERS UP

Anatomy of a Fall Justine Triet, Arthur Harari
(Elevation Pictures)

Past Lives
Celine Song
(Elevation Pictures)

BEST ADAPTED SCREENPLAY

WINNER

Killers of the Flower Moon
Eric Roth, Martin Scorsese
(Apple Original Films)

RUNNERS UP

All of Us Strangers
Andrew Haigh
(Searchlight Pictures)

The Zone of Interest
Jonathan Glazer
(Elevation Pictures)

ALLAN KING DOCUMENTARY AWARD

WINNER

20 Days in Mariupol
Mstyslav Chernov
(PBS Releasing)

RUNNERS UP

The Eternal Memory
Maite Alberdi
(The Impact Series)

Four Daughters
Kaouther Ben Hania
(Mongrel Media)

Swan Song
Chelsea McMullan
(Blue Ice Docs)

BEST FIRST FEATURE

WINNER

Rye Lane
Raine Allen Miller
(Searchlight Pictures)

RUNNERS UP

American Fiction
Cord Jefferson
(MGM)

Past Lives
Celine Song
(Elevation Pictures)

BEST ANIMATED FEATURE

WINNER

Robot Dreams
Pablo Berger
(Elevation Pictures)

RUNNERS UP

The Boy and the Heron
Hiyao Miyazaki
(Cineplex Releasing)

Spider-Man: Across the Spider-Verse
Joaquim Dos Santos, Kemp Powers and Justin K. Thompson
(Sony Pictures Canada)

BEST INTERNATIONAL FEATURE

WINNER

Fallen Leaves
Aki Kaurismäki
(Films We Like)

RUNNERS UP

Anatomy of a Fall
Justine Triet
(Elevation Pictures)

The Zone of Interest
Jonathan Glazer
(Elevation Pictures)

COMPANY 3
LUMINARY AWARD

This space is too small to do justice to Charles Officer. Even if we had the whole programme to work with, it’d still be too small — that’s how big of a space he took up, and how much of a hole he leaves. A hockey player turned actor turned especially empathetic filmmaker, Officer’s influence extends well beyond his own work. He mentored, advised, taught and generally improved the lives of just about everyone he met. After Unarmed Voices and The Skin We’re In and Akilla’s Escape and CBC’s The Porter, it seemed the second act of his career was just beginning; there were decades ahead of him before he’d be considered for a Luminary award. Instead, this is the way we honour his untimely passing, mourning his loss – and the loss of all the work he still had left to give. Rest easy, Charles.

— Norm Wilner

STELLA ARTOIS JAY SCOTT PRIZE
For an Emerging Artist

With her debut feature Humanist Vampire Seeking Suicidal Consenting Person, Ariane Louis-Seize more than fulfilled the promise she displayed in the bold and imaginative shorts that made her one of Quebecois cinema’s most distinctive new talents. Along with her ability to ground elements of fantasy and horror in the quotidian experiences and concerns of her characters — often with slyly humorous results — Louis-Seize demonstrates a remarkable flair for capturing moments of great nuance, and for creating images that are as surprising as they are beguiling. We can’t wait to see what she does next. —

— Jason Anderson

TELEFILM CANADA EMERGING CRITIC AWARD

After earning a Master’s at U of T’s Cinema Studies Institute and programming for TIFF Next Wave–as well as working with the Toronto-based independent production and distribution company MDFF – Winnie Wang has produced a body of thoughtful, opinionated, and politically inflected film criticism, including reviews of several major Canadian features for Cinema Scope. Winnie’s willingness to burrow into the inner workings of a film and go against the grain in their writing has already made them one of the country’s finest young critics.

— Adam Nayman

The TFCA is extremely grateful to founding sponsor Rogers Communications for the Rogers Best Canadian Film and the Rogers Best Canadian Documentary. TFCA thanks returning sponsors Labatt for the Stella Artois Jay Scott Prize for an emerging artist, Netflix as the dinner sponsor, Air Canada as official airline and Company 3 as the Company 3 Luminary Award sponsor. The TFCA salutes sponsors Prime Video as the cocktail reception sponsor, Telefilm Canada as the Telefilm Canada Emerging Critic sponsor and Pinnacle Live as the official AV Sponsor. The TFCA also thanks sponsors Cineplex Entertainment, Omni King Edward Hotel and salutes stalwart supporters, G.H. Mumm Champagne, L’Eat Catering, Zoomer Magazine, The Printing House, and Chairman Mills.