On March 4, 2024, at the Omni King Edward Hotel, the TFCA held its annual gathering, hosted by Amanda Brugel, to celebrate the best in Canadian and international film.
“The montage,” cut by Brian D. Johnson, is an annual highlight of the TFCA Awards gala.
Watch the compilation celebrating the winners and nominees for this year’s awards below.
All images by George Pimentel Photography
This award carries a cash prize of $50,000, courtesy of Rogers Communications.
Runners-up receive $5,000.
Directed by Matt Johnson
(Elevation Pictures)
— Barry Hertz
Directed by Ariane Louise-Seize
(Game Theory Films)
If you’re going to play with the vampire canon, never mind use the word “suicidal” in the title, you’d better get it right. Quebec co-writer/ director Ariane Louis-Seize’s Humanist Vampire Seeking Suicidal Consenting Person certainly does. A loving vampire family in Quebec is trying to graduate teen daughter Sasha (the wonderful Sara Montpetit) from blood packs to hunting her own dinner. This appalls her. Until she meets the morose Paul (Félix-Antoine Bénard) who really, really wants her to drink his blood. Louis-Seize’s film is fresh and original: a sweet, funny, gothy movie with depth and heart.
— Karen Gordon
Directed by Sophie Dupuis
(Axia Films)
Anchored by a transformative performance from Théodore Pellerin, Sophie Dupuis’ devastating Solo shows us how people will go to psychologically damaging places to feel loved, admired, and wanted. A character study painted in fine detail, Solo is packed to bursting with yearning and desire. It’s a cautionary tale about the nature of co-dependency, but also a richer story about how generational traumas shape who we are, for better and for worse.
— Andrew Parker
This award carries a cash prize of $50,000, courtesy of Rogers Communications.
Runners-up receive $5,000.
Directed by Chelsea McMullan
(Blue Ice Docs)
In Swan Song, Chelsea McMullan and their crew go behind the scenes of the creation of the National Ballet of Canada’s 2022 production of Swan Lake, and deliver a gripping account fuelled by passion and conflict. The stakes are high: Karen Kain, in her directing debut with the ballet that first made her famous, fights for her feminist ideas; principal ballerina Jurgita Dronina is masking injuries. But members of the corps — especially bad-ass Shaelynn Estrada — are the true stars here, as they sweat through the demanding choreography, never sure they’ll make it to opening night. Heart-poundingly tense — and beautiful.
— Susan G. Cole
Directed by Zaynê Akyol
(Maison 4:3)
Zaynê Akyol fearlessly digs into the roots of fundamentalism in this feat of access, artistry, and journalistic rigour. Akyol sits down with imprisoned members of the Islamic State for probing discussions about why they fight. In between these strikingly-shot portraits, Akyol looks outside the prison walls to observe resilience of survivors in the aftermath of war. At a time when nuance too often proves an afterthought, Rojek shows how much we can further the conversation if we’re simply willing to listen.
— Pat Mullen
Directed by Zack Russell
(Game Theory Films)
Highlighting the homeless epidemic in Toronto and one man’s fight to find a solution, Zack Russell’s documentary Someone Lives Here grants Khaleel Seivwright the space to share his story, and takes to task the infuriating policies and bureaucracy behind the City of Toronto, while never forgetting the people at the heart of the matter. A frustrating story told with frankness and compassion, Someone Lives Here focuses on a light amidst one of the city’s darkest realities.
— Rachel Ho
WINNER
The Zone of Interest
(Elevation Pictures)
RUNNERS UP
All of Us Strangers
(Searchlight Pictures)
Killers of the Flower Moon
(Apple Original Films)
WINNER
Jonathan Glazer
The Zone of Interest
(Elevation Pictures)
RUNNERS UP
Martin Scorsese
Killers of the Flower Moon
(Apple Original Films)
Justine Triet
Anatomy of a Fall
(Elevation Pitcures)
WINNER
Lily Gladstone
Killers of the Flower Moon
(Apple Original Films)
RUNNERS UP
Paul Giamatti
The Holdovers
(Universal Pictures Canada)
Andrew Scott
All of Us Strangers
(Searchlight Pictures)
WINNER
Sandra Hüller
Anatomy of a Fall
(Elevation Pictures)
RUNNERS UP
Emma Stone
Poor Things
(Searchlight Pictures)
Kôji Yakusho
Perfect Days
(Elevation Pictures)
WINNER
Ryan Gosling
Barbie
(Warner Bros. Canada)
RUNNERS UP
Robert De Niro
Killers of the Flower Moon
(Apple Original Films)
Robert Downey Jr.
Oppenheimer
(Universal Pictures Canada)
WINNER
Da’Vine Joy Randolph
The Holdovers
(Universal Pictures Canada)
RUNNERS UP
Glenn Howerton
BlackBerry
(Elevation Pictures)
Charles Melton
May December
(Netflix)
WINNER
Glenn Howerton
BlackBerry
(Elevation Pictures)
RUNNERS UP
Jay Baruchel
BlackBerry
(Elevation Pictures)
Théodore Pellerin
Solo
(Axia Films)
WINNER
Teyana Taylor
A Thousand and One
(Universal Pictures Canada)
RUNNERS UP
Charles Melton
May December
(Netflix)
Dominic Sessa
The Holdovers
(Universal Pictures Canada)
WINNER
Barbie
Greta Gerwig, Noah Baumbach
(Warner Bros. Canada)
RUNNERS UP
Past Lives
Celine Song
(Elevation Pictures)
WINNER
Killers of the Flower Moon
Eric Roth, Martin Scorsese
(Apple Original Films)
RUNNERS UP
All of Us Strangers
Andrew Haigh
(Searchlight Pictures)
The Zone of Interest
Jonathan Glazer
(Elevation Pictures)
WINNER
20 Days in Mariupol
Mstyslav Chernov
(PBS Releasing)
RUNNERS UP
The Eternal Memory
Maite Alberdi
(The Impact Series)
Four Daughters
Kaouther Ben Hania
(Mongrel Media)
WINNER
Rye Lane
Raine Allen Miller
(Searchlight Pictures)
RUNNERS UP
American Fiction
Cord Jefferson
(MGM)
Past Lives
Celine Song
(Elevation Pictures)
WINNER
Robot Dreams
Pablo Berger
(Elevation Pictures)
RUNNERS UP
The Boy and the Heron
Hiyao Miyazaki
(Cineplex Releasing)
WINNER
Fallen Leaves
Aki Kaurismäki
(Films We Like)
RUNNERS UP
Anatomy of a Fall
Justine Triet
(Elevation Pictures)
The Zone of Interest
Jonathan Glazer
(Elevation Pictures)
This space is too small to do justice to Charles Officer. Even if we had the whole programme to work with, it’d still be too small — that’s how big of a space he took up, and how much of a hole he leaves. A hockey player turned actor turned especially empathetic filmmaker, Officer’s influence extends well beyond his own work. He mentored, advised, taught and generally improved the lives of just about everyone he met. After Unarmed Voices and The Skin We’re In and Akilla’s Escape and CBC’s The Porter, it seemed the second act of his career was just beginning; there were decades ahead of him before he’d be considered for a Luminary award. Instead, this is the way we honour his untimely passing, mourning his loss – and the loss of all the work he still had left to give. Rest easy, Charles.
— Norm Wilner
With her debut feature Humanist Vampire Seeking Suicidal Consenting Person, Ariane Louis-Seize more than fulfilled the promise she displayed in the bold and imaginative shorts that made her one of Quebecois cinema’s most distinctive new talents. Along with her ability to ground elements of fantasy and horror in the quotidian experiences and concerns of her characters — often with slyly humorous results — Louis-Seize demonstrates a remarkable flair for capturing moments of great nuance, and for creating images that are as surprising as they are beguiling. We can’t wait to see what she does next. —
— Jason Anderson
After earning a Master’s at U of T’s Cinema Studies Institute and programming for TIFF Next Wave–as well as working with the Toronto-based independent production and distribution company MDFF – Winnie Wang has produced a body of thoughtful, opinionated, and politically inflected film criticism, including reviews of several major Canadian features for Cinema Scope. Winnie’s willingness to burrow into the inner workings of a film and go against the grain in their writing has already made them one of the country’s finest young critics.
— Adam Nayman
The TFCA is extremely grateful to founding sponsor Rogers Communications for the Rogers Best Canadian Film and the Rogers Best Canadian Documentary. TFCA thanks returning sponsors Labatt for the Stella Artois Jay Scott Prize for an emerging artist, Netflix as the dinner sponsor, Air Canada as official airline and Company 3 as the Company 3 Luminary Award sponsor. The TFCA salutes sponsors Prime Video as the cocktail reception sponsor, Telefilm Canada as the Telefilm Canada Emerging Critic sponsor and Pinnacle Live as the official AV Sponsor. The TFCA also thanks sponsors Cineplex Entertainment, Omni King Edward Hotel and salutes stalwart supporters, G.H. Mumm Champagne, L’Eat Catering, Zoomer Magazine, The Printing House, and Chairman Mills.