Features archive

TFCA Friday: Week of January 10th, 2020

January 10, 2020

This week’s reviews by TFCA critics, including Underwater.

Distasteful Representation in The Irishman

December 31, 2019

Genevieve Citron writes: “[Scorsese] refuses to use his influence to do the most simple of tasks: To broaden the spectrum of representation.”

TFCA Friday: Christmas!

December 20, 2019

This week’s reviews by TFCA critics, including Star Wars. Because Disney!

TFCA Honours Michèle Maheux, 2019 Technicolor Clyde Gilmour Award Winner

December 17, 2019

A warm event on a chilly December evening.

TFCA Friday: Week of December 13th, 2019

December 12, 2019

This week’s reviews by TFCA critics, including The Body Remembers When the World Broke Open, Richard Jewell, and The Twentieth Century.

Announcing the TFCA’s 2019 Award Winners

December 8, 2019

Click to read the full list of winners and runners-up.

TFCA Friday: Week of December 6th, 2019

December 6, 2019

This week’s reviews by TFCA critics, including Antigone, In Fabric, and The Kindness of Strangers.

TFCA Friday: Week of November 29th, 2019

November 29, 2019

This week’s reviews by TFCA critics, including Knives Out, The Two Popes, and Varda by Agnes.

TFCA Friday: Week of November 22nd, 2019

November 22, 2019

This week’s reviews by TFCA critics, including Frozen II, Marriage Story, and Waves.

Backhanded Brexit: Paul Feig’s Last Christmas

November 21, 2019

Genevieve Citron: “Last Christmas” identifies social divisions in the UK as transient and effectively evaporates them.